Zhang Jianqing, female, was born in 1973 in Anxin, Hebei Province. She grew up by the Baiyangdian Lake and is fond of calligraphy and good at engraving. She has been engaged in reed art creation for more than 30 years and has invented the technology of reed painting through carving and backing with velvet paper. She is good at landscape painting and portrait painting. She is a researcher of the Baiyangdian Historical and Cultural Research Institute and a member of the Hebei Literary and Art Research Association.There is an ancient story: a single reed boat carries Bodhidharma, and ten thousand scrolls of scriptures benefit all beings." The reed - opens the reed flower, shows five leaves, is born with Buddha nature. Reed painting is a rare flower among the fine traditional folk arts of China. It is said to have begun in the Tang Dynasty, flourished in the Song Dynasty, and become popular in the Ming and Qing dynasties. However, due to various reasons, it once faced the risk of extinction. Reed painting inheritor Zhang Jianqing, on the basis of inheriting the excellent cultural traditions of the older generation of folk artists, boldly innovates and improves the production process with modern special tools, inventing the reed painting through carving and lining velvet paper technology, creating reed paintings that combine both traditional artistic beauty and modern life breath. It makes full use of the natural luster and material of natural reeds to portray the vivid life of heaven and earth, wind and rain, flowers and birds, fish and insects, characters and scenery, flowers and animals, etc., skillfully winning the favor of nature. In terms of creation, she boldly absorbed a variety of artistic performance forms such as traditional Chinese painting, woodcut, paper-cutting, oil painting, and burning painting, presenting the unity of heavenly interest and the exquisite artistic conception. In terms of painting style, it takes the folk traditional craft as the foundation and strives for the characteristics of the times; in terms of color use, it takes the natural color of reeds as the main tone, accentuated with a little bright color and rich changes, with red and black as the background color, making it a whole, eye-catching and atmospheric. The production is exquisite, the color is bright, the appearance is realistic, giving people a return to the original art enjoyment. "From the material to the creation of the vivid reed painting, through the initial processing such as cutting, drying, drying, scraping, grinding, scalding, moistening, and then flatting, polishing, splicing, adhering, coloring, and other more than 30 processes are carefully woven into a whole, which is completely handmade, and a little carelessness will lead to failure. If you don't have patience to do such work, it is impossible to complete." Zhang Jianqing seriously said. Through continuous exploration, the reed paintings created by her gradually attracted people's attention with their realistic images, and more and more people came to visit her reed paintings. Keeping the skill, what is kept is not a picture, but the history and culture carried by the skill in the process of inheritance; what is kept is the vitality given by the weaving and heating; what is kept is the inheritance and promotion of traditional culture by the craftsman. Keeping the skill, what is kept is not a picture, but the history and culture carried by the skill in the process of inheritance; what is kept is the vitality given by the weaving and heating; what is kept is the inheritance and promotion of traditional culture by the craftsman.